Tag Archives: passai

Soke Memorial Training

Warmup, Basics

Sensai related how on Soke’s last trip in 2011, he had the dojo practice basics for 2 hours.

Fukyugata I, II, Passai

Performed Fukyugata  I bunkai worked on oyo bunkai from Fukyugata I and II with Jeff P,  Alewyn ad Griffin M.

Oyo bunkai from opening part of Fukyugata I as leg catch, or simply deflect kick, move to outside and counter attack.

Seems to me that Fukyugata II could be seen as a vehicle for understanding and applying circle blocks.

Interpret jodan uke as rounded block. Deflect with rear hand, bring the blocking hand over and around attacker’s punching arm and trap. Counter attack same time.

Oyo bunkai from opening part of Fukyugata II:

Attacker punches with right hand, block left side jodan uke.

Attacker punches left, block uchi-uke also with left hand.

Grab attackers left arm, step back attack arm/elbow with right elbow, come over top of arm and attack head/body with gedan yoko-barai.

Attacker punches with right upper cut. Move forward and to off to left, changing directions. Push attacking arm away with both hands. attack to finish. Can also push away attack with left while maintaining control of opponents left arm. This leaves their arms crossed and open to any finishing attack/take down.

Jeff P.,  Bill P. and Tyrone performed Passai bunkai with direction from Sensai.

Three oyo bunkai from first move of Passai.

1. moving to outside of attack, deflect punch with both hands

2. deflect punch on inside, grab with opposite hand and attack with uraken. Similar to Pinan IV.

3. Escape from same-side wrist grab. Step back to pull opponent in, then forward to kosa dachi turning over attacker’s hand.

I noticed during class how much more engaged  and focused Jacob is now. He looks and acts like he’s a part of the dojo and seems to enjoy class now. He has a connection with the people, esp. Katelynn and Jeff P.

After class Sensai said that Tony Gibson had planned to come down for the weekend but cancelled last minute. Also, Danjo Sensai’s visit this summer is now in doubt.

Late July

Class led by Sensai.  Worked almost exclusively on kata, with an aborted attempt at yakusoku kumite Ⅷ at the end.

Naihanchi

Look for triggers in the kata, places where you explode into a technique. For instance, the beginning of Shodan,  where the fumi-komi-ashi is followed immediately by shuto-uchi.
These moves should be connected.

In Nidan, relax shoulders on hazushi-uke. Second move, uchi-uke, should have snap. Think about actually blocking a punch with it.

Try to create flow in these kata.

Ananku

Sensai talked about a small slide back on the first chudan-uke, but a bigger slide in the later two. Danjo Sensai brought this up as well.

Don’t lean forward when delivering the kick.

There are many places in this kata to work on using koshi to create power and snap.

Sensai mentioned that he disliked this kata when he was younger, but that now he appreciates it’s directness and simplicity.
He also compared it to Fukugata Ⅰ in that regard.

Wankan

The supporting hand in makite-uke should be on the middle of the forearm, not near the elbow.

Jodan kosa-uke should be a head block. Don’t let it get too far out.

After the second makite-uke, there is a gedan-uke followed by chudan-zuki shizentai-dachi. The slide is important on this punch. You can understand it better in the bunkai since it gets you out of the way of a second attacker.

Rohai

Start leaning forward at the beginning. Don’t lock the knees.
Turn the hands out slightly right before gedan soto-shuto-uke.

Execute the blocks in both torite-uke. Don’t rush.

Hangetsu-barai-uke was originally followed by sasae-hiji-ate (breaking the elbow). Think about this and don’t rush.

Wanshu

Shotei-ate is the same as in Rohai, just executed in a different stance.

Passai

In move right before kosa-dachi strike, the right hand should not be all the way to the side or flat.
Should be somewhat forward near the body, and bent, ready to deliver shotei-ate.

Don’t rush the three moves starting with gedan-zuki jigotai-dachi near the end.
These should be done on one level – don’t bounce up and down.
Sensai said that may people don’t really know what they’re doing in this part of the kata.
Think blocking and catching a kick on outside, then pulling/raising the leg and delivering a strike

Gojushiho

Second and third moves should be a head blocks like in Pinan Shodan.

Torite-uke is same as Rohai and Passai. Make sure the block is included.

Sensai mentioned the second turn, from nukite-zuki nekoashi-dachi to nukite-zuki zenkutsu-dachi as being one of the most powerful moves in all the kata.

Danjo Sensai training – day 2

 

Practiced a warmup drill from pinan godan prior to kata that Soke had demonstrated – middle section from hotoke-gamae through otoshi-uke to zenkutsu-dachi chudan-zuki.

Soke showed the hotoke-gamae as a body slam to opponent leading with the right elbow and including a kaku-zuki to the ribs
then a turn, otoshi-uke to second opponent ending in jigotai-dachi.
then quick turn using koshi to zenkutsu-dachi driving a punch to first opponents ribs.

Ananku

In Okinawa, the first zenkutsu-dachi chudan-zuki is done with a backward slide to the chudan-uke.

Rohai

Slide to gedan shuto-yoko-barai-uke, keep back straight. Torite-uke is made moving back to the left in neko-ashi-dachi.

Passai

Danjo Sensai had a lengthy discussion regarding the correct count. After initial move, there is one count for the rest with hands down,
and another where you raise the hands and turn to left to deliver the jodan-shuto-uchi.

Also reviewed the count for Gojushiho and Chinto.

Danjo sensai demonstrated Kusanku

Ended this training session with Fukyugata Ⅱ bunkai