Tag Archives: gedan-uke

6/24

Worked at length on basics.  Sensai pointed out that I was leaving my (esp. left) arm bent on gedan-uke. Should be fully extended. I also need to remember to step up and into jodan-uke.

I feel a lot more confident in my technique, which also means I’m more relaxed and breathing better. Nonetheless, by the end I was winded and my technique was noticeably weaker.

Worked on Fyukugata Ⅱ bunkai. We broke the  attacking part down into three sections:

The opening part starts with chudan gyaku-zuki using the opposite arm of the defender (Since you’re facing each other , it ends up being same side – just the opposite of Fyukugata Ⅰ). Then step back  and throw another chudan gyaku-zuki. Finally, kick mai-geri from the front foot landing forward end ending in kumite-dachi.

In the middle part, the attacker steps forward left and punches kizame-zuki, then steps back left again punching kizame-zuki. Steps back right into nekoashi-dachi and blocks the right side kick by covering with the left hand. After the defender throws the tate-hiji-ate, the attacker kicks mai-geri from the front foot, lands forward and punches kizame-zuki.

For the final part (the very end of the kata), the defender starts in gyaku-zuki zenkutsu-dachi right side forward and back to the opponent. The attacker steps forward left and punches kizame-zuki, then steps forward right again punching kizame-zuki. Changes feet using footwork Ⅱ and punches right.

In the black belt class, we went through all sai kata twice (once by the count and once renzoku) and ended class by performing our highest kata (ananku) for Sensai. He had no real comments other than we need to continue to practice.

I also reviewed Yakusoku kumite Ⅴ with Jessan. The opening part of the defense doesn’t require much movement, rather just pivot the feet into naname zenkutsu-dachi and block chudan-uke.

Calm before the storm

Sempai led class this Monday of kata week. I’m glad I came since we’re supposed to get more snow tomorrow. Focus was on technique within the kata, and application of techniques in real world situations. I overheard him telling the previous class something along the lines of: “It’s better to perform one kata well than to learn many just to say you know them.”

Technique

While working on moving basics, we worked on rotating our hips to drive punches (kizame and gyaku-zuki) and blocks (chudan shuto-uke, gedan-uke).

I’m leaning forward too much with my gedan-uke, zenkustsu-dachi. I need to block from the shoulder while driving the block with my hips. Pushing my hips forward will help me maintain a more upright posture.

When performing oi-zuki, the punch should start at the same time you plant your forward foot.

Kata

Each of us selected and practiced one kata three times and then demonstrated and explained one particular part.
I chose Naihanchi Nidan, because it doesn’t take much space, and because I find it helpful for working on balance. From that, I singled out the two opening moves.

The first move, hazushi-uke,  I think of in terms of an escape when being grabbed from behind. But that didn’t make much sense with the next move. Sempai pointed out that the second move (attack) could always be applied in the oppposite direction. I realized that I was thinking too narrowly. Zack, Sempai and I talked about it further after class. Sempai also said that the Naihanchi kata were designed to be performed in a circle, and that the blocks and attacks underscore Matsubayashi Ryu’s close-in fighting style.

At the end of class, Simon said that Fukyugata Ichi starts with an attack since you turn and move forward. Sempai agreed. I appreciate Simon’s eagerness to learn and participate in class. He doesn’t seem intimidated by inexperience.