Tag Archives: ananku

End of April

Class was led by Zack, worked through each of the Fukyugata and Pinan katas before practicing Ananku. Some of his comments:

  • The intermediate/advanced class should have good basics – pay attention to stances and blocks
  • Worked on the first kick in Fukyugata Ⅱ several times. The right arm stays out as a block while the hiji-ate is delivered.
  • When executing the turns in Pinan Nidan, you need to step across or behind your plant foot to achieve the correct width of stance to execute the next technique. Otherwise the stance will be too narrow leaving you out of balance.
  • In Pinan Sandan, the over-the-shoulder punches should be delivered at the same time as the hiji-ate. They should have good extension but there should not be too much hip rotation in the delivery.
  • The kaku-zuki in Pinan Godan are the same attack but delivered in a different direction and at a different angle. The principle is the same though.

Some notes regarding Ananku:

  • There are several times where more than one technique is performed on just one count. There should be good power and follow-though throughout.
  • In the first nekoashi-dachi, the front foot is raised the entire time, and only on the floor when the kick is delivered.
  • The second kiai is delivered at different times depending on who is teaching. Can be on either double punch or even before them both.

Practiced Sai dai Ichi, Sai dai Ni and Hanagushiku no Sai.

Notes on Hanagushiku no Sai:

  • In the first two moves, the pommel of the rear sai should just touch top of the forearm.
  • Soke performed the two right-hand strikes in nekoashi-dachi sliding forward instead of zenkutsu-dachi as shown in the NZ dojo videos.

Ides of April

Sensai reminded again to work on including a twisting motion in our blocks and punches to add power and snap to  techniques in the kata. Particularly in gedan-uke and jodan-uke of Fukyugata Ⅰ. The gedan-uke should also include a twisting at the hips, since the block should start from the opposite shoulder and come across the body.

I’ve noticed that I need to work on getting more consistent about turning my hips 45° in (especially the first) kosa-dachi in Pinan Shodan.

Sensai also made several comments regarding Naihanchi Shodan. The first was to think of the morote-barai-uke in terms of cutting. It should also be as deep (in terms of distance from beginning to end, as well as away from the body) as possible.
Secondly, the rounded block needs twist to generate power since it only moves a short distance. Finally, the entire kata should be performed on one level.

Began working on Ananku with Zack.  It’s shorter than I expected and most stances are zenkutsu-dachi.

Was asked to lead and count Kihon Kama Ⅰ. Good thing I’ve made it a point to practice kama a lot this year.
Strikes should be delivered from the shoulder or across the body.
After striking, the return to the chambered position should include a motion where the elbow pulls in toward the body – think about dislodging the blade from a body or staff.